張欣怡，深圳出生，現於香港及台北兩地生活與工作。她於2019年畢業於香港浸會大學創意及專業寫作系，現就讀於國立臺北藝術大學文學跨域創作研究所。
其作品關注個人身份及情感在變動的文化與政治脈絡中的張力與複雜性。她以虛構敘事作為方法，撕裂現實經驗，以重新闡釋日常生活中被忽視、遺忘或習以為常的片刻。
她曾獲第27屆「臺北文學年金」獎助計畫入圍、第50屆青年文學獎（小小說）及第11屆大學文學獎（散文）等，作品散見於《虛詞》、《字花》、《方圓》、亞洲藝術文獻庫旗下的《藝文》等平台。部分作品獲收錄於香港文學地景資源庫、「我街道，我知道，我書寫」社區書寫計劃，及雙語文集《困頓之書》。其寫作計劃《討海眼波》獲藝發局資助，關注香港女性漁民的生活。
除書寫以外，她時常思考如何拓展文字的邊界。結合影像、裝置和行為等媒介，探索何謂文學性。
她曾入選亞洲藝術文獻庫「試下zine駐場計劃2025」及天台塾藝術家駐校計劃（2025）。現為不透光自由詩派，及Writing as Method 藝術小組的成員。
Jane CHEUNG Yan Yi was born in Shenzhen and currently lives and works between Hong Kong and Taipei. She holds a BA degree in Creative and Professional Writing from Hong Kong Baptist University. At the moment, she is pursuing her MFA degree in Transdisciplinary Creative Writing at Taipei National University of the Arts.
Cheung’s work examines the tensions and complexities of personal emotions within shifting cultural-political contexts. Using fabricated narrative as methodology, she ruptures lived reality to re-articulate overlooked, forgotten, or habitual moments in daily life.
She was shortlisted for the 27th Taipei Literature Award writing grants. She was awarded Youth Literary Association’s 50th Flash Fiction Award and won HKBU Faculty of Arts and the Language Centre's 11th Intervarsity Creative Writing Competition for Prose.Her works have appeared in P-articles, Fleurs des Lettres, and Asia Art Archive's Like A Fever. Selected works are archived in the Hong Kong Literary Landscape Archive, the "我街道，我知道，我書寫" Community Writing Project, and the bilingual anthology Writing in Difficult Times. Her writing project Her Glance Flickers the Sea received funding from the Hong Kong Arts Development Council, focusing on the lives of female fishermen in Hong Kong.
Beyond writing, she constantly contemplates how to expand the boundaries of text. By combining media such as image, installation, and performance, she explores what constitutes literariness.
She has been selected for Asia Art Archive's "Try Zine Residency Programme 2025" and Rooftop Institute's Artist-in-School Programme (2025). She is currently a member of Opacity Poem and Writing As Method collective.
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